I was having an argument with the sales guy at the high-end TV store. Based on a discussion I had with Pat, I asked him if the TV he was trying to sell me supported HDCP. I told him I was warned against it, that I shouldn’t support technology that restricts a user’s rights. And that’s how the argument began that led to an intersting idea about licensing.
HDCP is a technology layer on top of HDMI that institutes copy-protection on top of the high-definition digital signal that travels from the TV tuning device to the monitor. In high-definition TVs (especially good ones) the tuner is a separate device from the actual display. The cable that connects the tuner to the display is called a HDMI cable. To keep people from plugging that cable into something that could directly record the digital signal (and prevent you from, say, recording pay-per-view movies in perfect digital quality) they have invented HDCP.
The basic idea of not buying a set equipped with HDCP is to send a message to manufacturers that consumers want the flexibility afforded them by fair use. We like to record shows for later. HDCP could help prevent that. Being an early adopter, it’s part of your job as an aware consumer not to buy products that encourage technologies prohibiting fair use. Otherwise, the unaware public could buy products that are more restrictive in their fair use capabilities than those we have now.
In any case, he started off with the argument that it’s only fair that if a studio spends money to make a movie and pay its workers, then it should get a return on that investment. And I agree with that. But I don’t think it’s fair that the studio should get to prompt me for a fee every time I watch their movie, nor that I should have my ability to watch the movie at my pleasure restricted. It was all about poor licensing. And that’s when I had my idea.